By contributor, Malene Redder Ruby
I have always been attracted to the
spectacular and dramatic ways of costuming. Whatever performance you
are making, you better make sure that you will be remembered or else,
do not make the show. There are plenty of ways to be remembered.
As a Costume designer I have always,
ever since I was a little girl, been noticing the dresses and the
costumes of the musicians, the actors and the models at the runways.
Especially the ones that were spectacular!
I love to look at fashion shows, I adore
going to the cinema looking at history or adventure movies. I am
a
“theaterholic” for attending cabarets and musicals, and
like many others, I just love watching great award shows and the red
carpet events!
In February 2010 I watched the Danish
song contest “Melody Grand Prix”. Two years
later, I only remember one of the competitors Kaya Brüel, and she
didn’t even win! However, she wore the most spectacular dress,
probably ever worn in that Danish song contest.
The dress was made of
92 metres fabric, thousands of Swarovski stones, and during the song
she was lifted up 3 metres from the ground, so her dress suddenly became
one big installation at the stage. The dress was designed by Grith
Rahbek and she was inspired by the great
Christian Dior in making this dress.
I do not know if Grith
Rahbek was inspired by exactly this dress from Christian Dior’s New
Look Collection from 1947, but she might have been.
Kaya
Brüel, Melodi Grand Prix 2010. Photos: Wouter van Vliet/EBU
In March 2011 I went to the Copenhagen
Puppet Festival and saw many different puppet shows, which was a
great experience for me, and an eye-opening introduction to a new
world of theater.
I mainly remember one of the plays. We were all
waiting outside freezing in a dark backyard in Copenhagen. When the
doors were opened, we went inside to the sight of a very tall and sad
white bride, who was playing the ukulele.
We had to descend some
stairs before we could be seated in the dark rough cellar. I guess
the bride was about 4 meters tall and she was very beautiful. When we
were all seated, some of the skirt was folded to the side as a theater
curtain, and the play of evolution and love took place inside of her
dress between her legs. It was a fabulous play and the puppeteer is
extremely talented.
The puppeteer has afterwards told me
that she was inspired by the stilt walking buskers from the big
cities.
“Lilith” by Astrid
Kjær Jensen. Photos by Thomas Puschmann, 2011.
The 1st of October 2011 the
Dutch designer-duo Viktor & Rolf launched their summer 2012
collection, by making the models enter the catwalk through the 4-5
meter tall tulle skirt of the two performing French singers The
Brigittes. Viktor & Rolf love making dramatic and spectacular
runway shows, and you expect to get entertained when you see their
shows.
I think this tall gown installation was a beautiful way to
surprise the audience and to make sure that all the busy runway
editors would remember this show. I would have loved to see the show
live!
I don’t know what inspired Viktor & Rolf to make their tall entrance gown, but the picture below might
have inspired them.
Models on Stilts Present
"High Fashion" on the Famous "Jungfernstieg"
Boulevard in Hamburg, Germany, from
www.allposters.dk
Photos from www.glamourmagazine.co.uk and www.shoewawa.com
Was Astrid Kjær also inspired by the
dress of Kaya Brüel when she developed her play “Lilith”? Was
Viktor & Rolf inspired by Astrid Kjær when they designed the
catwalk entrance for their prêt-à-porter show SS 2012? They might
have been, I don’t think so, but I do not know it!
We are all influenced by the
contemporary trends and sometimes two designers come up with almost
identical ideas at exactly the same time without knowing each other.
All people have a certain amount of needs and a certain kind of
needs, therefore many get the same ideas. But the way of bringing the
idea to life can be very various.
I am sure that Kaya Brüel, Astrid
Kjær and Viktor & Rolf all had different thoughts and visions
for making these tall gowns. The look of the dresses is also very
different though they resemble a lot. I adored all of the three gowns
because they are spectacular, dramatic and taking the way of stage
dressing to another level! Thanks to all of you!
“Lilith” by Astrid
Kjær Jensen. Photo by Thomas Puschmann, 2011.
The dress of Kaya Brüel,
2010.